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        <datestamp>2026-09-21T14:00:02Z</datestamp>
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          <dc:title>Removing the bark</dc:title>
          <dc:creator>El-Fatih Maluk Atem (25010071)</dc:creator>
          <dc:creator>Zoe Cormack (18348327)</dc:creator>
          <dc:subject>Wood processing</dc:subject>
          <dc:subject>Design anthropology</dc:subject>
          <dc:subject>Musicology and ethnomusicology</dc:subject>
          <dc:subject>Critical heritage, museum and archive studies</dc:subject>
          <dc:subject>Digital heritage</dc:subject>
          <dc:subject>Social and cultural anthropology</dc:subject>
          <dc:subject>Digital curation and preservation</dc:subject>
          <dc:subject>drum</dc:subject>
          <dc:subject>bark</dc:subject>
          <dc:subject>scraping</dc:subject>
          <dc:description>Elia removes the outer layer of bark from the gugu. He answers questions about the process and discusses the impact of the bark on the sound of the gugu and other topics, including restrictions about women being present when a gugu is made and restrictions around iron working.</dc:description>
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