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          <dc:title>Transcript (PaZande) and translation (English)</dc:title>
          <dc:creator>Isaac Wanzi Hilary (25010521)</dc:creator>
          <dc:creator>Zoe Cormack (18348327)</dc:creator>
          <dc:subject>Wood processing</dc:subject>
          <dc:subject>Design anthropology</dc:subject>
          <dc:subject>Musicology and ethnomusicology</dc:subject>
          <dc:subject>Critical heritage, museum and archive studies</dc:subject>
          <dc:subject>Digital heritage</dc:subject>
          <dc:subject>Social and cultural anthropology</dc:subject>
          <dc:subject>Digital curation and preservation</dc:subject>
          <dc:subject>drum</dc:subject>
          <dc:subject>carving</dc:subject>
          <dc:subject>resonating chamber</dc:subject>
          <dc:subject>tools</dc:subject>
          <dc:description>Elias explains the use of the main tools he uses to make the gugu. He explains other technical aspects of the carving, including the quality of the wood, the importance of the legs (which raise the resonating chamber off the ground) and how the gugu is moved during the carving and after completion.</dc:description>
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