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        <identifier>oai:figshare.com:article/32805350</identifier>
        <datestamp>2026-10-01T16:16:19Z</datestamp>
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          <dc:title>A feminine image of the city from Rio de Janeiro’s urban periphery: audiovisual practices, representations and imaginaries</dc:title>
          <dc:creator>Mary Freedman (24292649)</dc:creator>
          <dc:subject>PUREID: 673263532</dc:subject>
          <dc:subject>Urban imaginary</dc:subject>
          <dc:subject>audiovisual production</dc:subject>
          <dc:subject>feminine periphery</dc:subject>
          <dc:subject>urban feminism</dc:subject>
          <dc:subject>socio-spatial strcuctures</dc:subject>
          <dc:subject>film and the city</dc:subject>
          <dc:subject>flâneuse</dc:subject>
          <dc:subject>Rio de Janeiro</dc:subject>
          <dc:subject>cinema clubs</dc:subject>
          <dc:subject>cinema negro brasileiro</dc:subject>
          <dc:subject>Black Brazilian cinema</dc:subject>
          <dc:subject>image of the city</dc:subject>
          <dc:subject>cine-ritual</dc:subject>
          <dc:subject>autoconstrução</dc:subject>
          <dc:subject>practice as research</dc:subject>
          <dc:subject>experimental film</dc:subject>
          <dc:description>This thesis contends that moving images have an important role in the articulation of society and space, revealing it and shaping it through a connection between the real and the imaginary. Focusing on contemporary production by women from the peripheral region of the Baixada Fluminense, I explore aspects of the relationship between audiovisual practices and representations and the socio-spatial construction of gender in the city, arguing that they embody and make visible an intersectional feminine image of the city.  At a moment of greater access to the production of audio-visual media, the thesis examines ways in which the creation and screening of audiovisual productions in the city become vehicles for seeing differently, for reflecting on socio-spatial structures through time, and for inventing new possibilities and / or imaginaries. &lt;br&gt;&lt;br&gt;Moving from fieldwork to a theoretical frame that brings together audiovisual studies and urban studies, with a focus on gender and race in Brazil, the written thesis is complemented by practice-based work, driven by the idea of thinking through, and with, images and sounds. The location of this study in Rio de Janeiro – the iconic urban image of Brazil and the birthplace of Brazilian cinema – not only facilitates the emplacement of such an enquiry within a historic continuum but poses broader and urgent questions about our capacity to imagine other forms of structuring and inhabiting, urban social worlds.&lt;br&gt;&lt;br&gt;&lt;i&gt;Thesis is embargoed until 31 December 2028.&lt;/i&gt;&lt;br&gt;</dc:description>
          <dc:date>2026-10-01T16:16:19Z</dc:date>
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          <dc:rights>Open Access after 2028-12-31</dc:rights>
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