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        <identifier>oai:figshare.com:article/32641230</identifier>
        <datestamp>2026-10-01T16:24:48Z</datestamp>
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        <setSpec>item_type_8</setSpec>
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        <oai_dc:dc xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"  xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
          <dc:title>Agency and the Natural World in the Ecogothic fiction of Andrew Michael Hurley &amp; &lt;i&gt;Roundings Road&lt;/i&gt;, a novel</dc:title>
          <dc:creator>Conleth Thornbury (24169872)</dc:creator>
          <dc:subject>PUREID: 640821212</dc:subject>
          <dc:subject>Ecogothic</dc:subject>
          <dc:subject>creative writing</dc:subject>
          <dc:subject>Roundings Road</dc:subject>
          <dc:subject>Andrew Michael Hurley</dc:subject>
          <dc:subject>natural world</dc:subject>
          <dc:description>&lt;p&gt;This thesis consists of a novel, &lt;i&gt;Roundings
Road&lt;/i&gt;, a bridging statement and an extended critical analysis of Andrew
Michael Hurley’s first three published novels. Both my novel and the critical
study address the agency of protagonists in gothic fiction. &lt;/p&gt;

&lt;p&gt;&lt;i&gt;      
 Roundings Road&lt;/i&gt; is a gothic novel set somewhere in Ireland and is a modern
take on the vampire myth. The couple at the centre of the story, Francis and
Fiona, are caught up in events that they seemingly can’t control, when they buy
and move into an old house where Francis stayed as a student. &lt;/p&gt;

&lt;p&gt;        The
critical study – ‘Agency and the Natural World in the Ecogothic Fiction of
Andrew Michael Hurley’ – is an appraisal of Hurley’s first three novels, and my
analysis engages with the ecogothic to consider its effect on the agency of
protagonists. Through close readings I position his work within the ecogothic
and larger gothic traditions. I show how Hurley uses gothic tropes and themes
to present the reader with an indifferent and all-powerful natural world that
ensures protagonists have futures that are preordained. Chapter 1 examines &lt;i&gt;The
Loney&lt;/i&gt; (2014), arguing that a priest’s experience of the sublime
undermines his agency and religious belief. In Chapter 2, I investigate how a
farming community’s fear of nature, in &lt;i&gt;Devil’s Day&lt;/i&gt; (2017), results
in fatalism. And Chapter 3 explores Hurley’s use of the supernatural in &lt;i&gt;Starve
Acre&lt;/i&gt;(2019), to ensure a married couple’s future is preordained.&lt;/p&gt;

&lt;p&gt;        My bridging statement
reflects on the relationship between creative and critical components by
considering the writing process involved in both and delving into the gothic
themes common to both &lt;i&gt;Roundings Road&lt;/i&gt; and the novels of Hurley.&lt;/p&gt;&lt;br&gt;&lt;i&gt;Thesis is embargoed until 31 July 2028.&lt;/i&gt;&lt;br&gt;</dc:description>
          <dc:date>2026-10-01T16:24:48Z</dc:date>
          <dc:type>Text</dc:type>
          <dc:type>Thesis</dc:type>
          <dc:identifier>10.17034/32641230.v1</dc:identifier>
          <dc:relation>https://figshare.com/articles/thesis/Agency_and_the_Natural_World_in_the_Ecogothic_fiction_of_Andrew_Michael_Hurley_i_Roundings_Road_i_a_novel/32641230</dc:relation>
          <dc:rights>All Rights Reserved</dc:rights>
          <dc:rights>Open Access after 2028-07-31</dc:rights>
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