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oai:figshare.com:article/32640552 2026-10-01T16:30:11Z portal_1172 item_type_8 month_year_10_2026

Portfolio of electroacoustic music compositions: self as a method, an exploration of the creative process Bihe Wen (24169341) PUREID: 619387145 Electroacoustic music acousmatic music mixed electroacoustic music prepared guzheng prepared piano My PhD research explores how personalized experiences influence the creative process, encompassing decision making, critical thinking, reflections, and other related aspects. This written commentary introduces “self as a method, an exploration of the creative process”, presenting a portfolio of six original electroacoustic music works created as part of the doctoral research at Queen’s University Belfast. The works included are <i>Atmo-</i>, <i>Immemorial/Flux</i>, <i>Metamorphosis</i>, <i>Parallel Visions</i>, <i>Touch</i>, and <i>Unfolding</i>.<br><br>The portfolio showcases a diverse array of formats: one 7.1.4 work, one 8-channel, one stereo, one 10-channel, and two works for solo instruments with electronics - one for guzheng and another for piano. Except for two, all compositions are acousmatic, with the mixed works drawing on timbre-based composition and acousmatic tradition.<br><br>The commentary provides readers with in-depth information on my compositional strategies for each work, referencing current musicological terminology and contextual writings in the field. Additionally, the accompanying oral presentation video offers a comprehensive overview, providing insights into my artistic endeavors and reflections on finding my voice through practice-based research from the perspectives of creator, performer, and researcher.<br> 2026-10-01T16:30:11Z Text Thesis 10.17034/32640552.v1 https://figshare.com/articles/thesis/Portfolio_of_electroacoustic_music_compositions_self_as_a_method_an_exploration_of_the_creative_process/32640552 All Rights Reserved