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        <identifier>oai:figshare.com:article/32633643</identifier>
        <datestamp>2026-10-01T17:01:27Z</datestamp>
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          <dc:title>We Play Here, and “Strangely Alive”: Elizabeth Bishop and the 'Art of Story Writing'</dc:title>
          <dc:creator>Dawn Watson (24165804)</dc:creator>
          <dc:subject>PUREID: 387138805</dc:subject>
          <dc:subject>Elizabeth Bishop</dc:subject>
          <dc:subject>poetics</dc:subject>
          <dc:subject>troubles</dc:subject>
          <dc:subject>childhood</dc:subject>
          <dc:description>&lt;br&gt;CREATIVE ABSTRACT&lt;br&gt;&lt;i&gt;We Play Here&lt;/i&gt; is a collection of four poem sequences set in Protestant working class North Belfast in the summer of 1988 against a backdrop of the Troubles. Four female 12-year-old friends navigate an eerie, elemental landscape of normalised violence, poverty, and neglect.&lt;br&gt;&lt;br&gt;CRITICAL ABSTRACT&lt;br&gt;This thesis examines Elizabeth Bishop’s technique of overlapping lyric and narrative in her autobiographical short story writing of childhood.&lt;br&gt;&lt;br&gt;&lt;i&gt;Thesis embargoed until 31st July 2028&lt;/i&gt;</dc:description>
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