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        <datestamp>2026-10-01T17:19:03Z</datestamp>
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          <dc:title>The influence of dynamic psychiatry on &lt;i&gt;Tender Is the Night&lt;/i&gt; by F. Scott Fitzgerald</dc:title>
          <dc:creator>Lauren Moffat (24164481)</dc:creator>
          <dc:subject>PUREID: 243003552</dc:subject>
          <dc:subject>F. Scott Fitzgerald</dc:subject>
          <dc:subject>Tender Is the Night</dc:subject>
          <dc:subject>psychiatry</dc:subject>
          <dc:subject>Zelda Fitzgerald</dc:subject>
          <dc:description>&lt;p&gt;This study is an attempt to redress the historical misapplication of literary and cultural theory in reading the psychiatric material of F. Scott Fitzgerald’s &lt;i&gt;Tender Is the Night&lt;/i&gt;. Critics have applied several, sometimes contradictory, theoretical lenses to the text. As a result, the text has been characterised either as ignorant of psychiatry or in league with the so-called autocratic and “unscientific” basis of its practices. Often, it is regarded a revenge project aimed at his wife, Zelda Sayre Fitzgerald (herself a psychiatric patient periodically between 1930 and 1948). &lt;/p&gt;&lt;p&gt;&lt;br&gt;Medicine’s rediscovery of the humanistic dimensions of its practice during the past thirty years provides a useful framework that Tender criticism can use to break the cycle of restatement of tired and misapplied theoretical premises from a by-gone era of anti-psychiatry, psychoanalytic theory, and second-wave feminism. Such a text-centric framework allows one to turn both to the history of psychiatry and the personal history of the Fitzgeralds’ interactions with psychodynamic psychiatry by way of the archive. It creates a clearer picture of what the author intended for the text, and how it reflects a time in his life in which the author had exceptionally close contact with the foremost psychiatric clinics and psychiatrists in the world.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</dc:description>
          <dc:date>2026-10-01T17:19:03Z</dc:date>
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