<?xml version='1.0' encoding='utf-8'?>
<?xml-stylesheet type="text/xsl" href="/v2/static/oai2.xsl"?>
<OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd">
  <responseDate>2026-10-11T21:18:50Z</responseDate>
  <request identifier="oai:figshare.com:article/32630145" metadataPrefix="oai_dc" verb="GetRecord">https://api.figshare.com/v2/oai</request>
  <GetRecord>
    <record>
      <header>
        <identifier>oai:figshare.com:article/32630145</identifier>
        <datestamp>2026-10-01T17:27:59Z</datestamp>
        <setSpec>portal_1172</setSpec>
        <setSpec>item_type_8</setSpec>
        <setSpec>month_year_10_2026</setSpec>
      </header>
      <metadata>
        <oai_dc:dc xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"  xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
          <dc:title>Beyond '9/11': counter-narratives of grief in post-9/11 literature</dc:title>
          <dc:creator>Kelsie Donnelly (24163539)</dc:creator>
          <dc:subject>PUREID: 221389559</dc:subject>
          <dc:subject>grief</dc:subject>
          <dc:subject>9/11</dc:subject>
          <dc:subject>trauma</dc:subject>
          <dc:subject>abject</dc:subject>
          <dc:subject>twenty-first century literature</dc:subject>
          <dc:subject>American literature</dc:subject>
          <dc:subject>contemporary literature</dc:subject>
          <dc:subject>resilience</dc:subject>
          <dc:subject>Don DeLillo</dc:subject>
          <dc:subject>Mohsin Hamid</dc:subject>
          <dc:subject>Claudia Rankine</dc:subject>
          <dc:description>This project examines how Don DeLillo’s Falling Man (2007), Mohsin Hamid’s The Reluctant Fundamentalist (2007) and Claudia Rankine’s Don’t Let Me Be Lonely: An American Lyric (2004) have explored grief in response to the September 11th, 2001 terrorist attacks. It sets out to answer four key questions: is there anything to be gained — politically, socially, ethically, and aesthetically — from lived experiences of grief? How do the texts engage with the grief of abject and ungrievable bodies — from the censored falling body to the perceived Muslim ‘terrorist’ Other to brutalised black bodies — and what are the implications of this engagement?  How do the texts depart from a now paradigmatic ‘trauma’ aesthetic to aestheticise loss in new ways? And, finally, to what extent do the texts examined move beyond ‘9/11’, countering the narrative of ‘9/11’ as a national ‘trauma’ to provide alternative portraits of grief? While there is a plethora of literary studies focusing on trauma in ‘9/11 fiction’, which often conflate or misdiagnose grief as trauma, there is not yet a critical study with a sustained focus on grief in post-9/11 literature. Although there is an emerging trend away from traditional trauma theory as a critical paradigm, few scholars have suggested or applied alternate interpretive frameworks. This study reads literary portraits of grief through a variety of analytical lenses provided by cultural theorists, such as Julia Kristeva, Judith Butler, and Lauren Berlant, to create a critical counter-narrative to literary studies of 9/11 ‘trauma’ and the dominant ‘9/11’ narrative of national ‘trauma’ and resilience. &lt;br&gt;&lt;br&gt;Building on a substantial body of scholarship in grief studies and 9/11 literary studies, “Beyond ‘9/11’: Counter-narratives of Grief in Post-9/11 Literature” makes an original contribution to both fields in several ways: it is the first detailed study of grief in post-9/11 literature and twenty-first-century American literature; it is the first to offer an in-depth analysis of what it considers as abject bodies (and the reclamation of these bodies as political agents) in post-9/11 literature; it includes Rankine’s American Lyric, which is rarely included in studies of 9/11 literature, and departs from established readings of ‘9/11 novels’ to provide new readings; it applies new methodologies to analyse post-9/11 literature, breaking the solidified ties of extant 9/11 literary scholarship to trauma theory, whether in favour of or against; it challenges the dominant medico-psychiatric model of grief to provide an alternate perspective of grief from a literary lens; and, finally, it argues that sustained reflection on the ordinary yet profound experience of grief is (re)productive and filled with the potential to bear various ethical, political, social and aesthetic fruits.</dc:description>
          <dc:date>2026-10-01T17:27:59Z</dc:date>
          <dc:type>Text</dc:type>
          <dc:type>Thesis</dc:type>
          <dc:identifier>10.17034/32630145.v1</dc:identifier>
          <dc:relation>https://figshare.com/articles/thesis/Beyond_9_11_counter-narratives_of_grief_in_post-9_11_literature/32630145</dc:relation>
          <dc:rights>All Rights Reserved</dc:rights>
        </oai_dc:dc>
      </metadata>
    </record>
  </GetRecord>
</OAI-PMH>
